One on my favorite Elvis records is a bootleg -- Cut Me & I Bleed released on Double G Records in 1999. The album is a collection of alternate studio, home, and live rehearsal recordings that present “another side” of Elvis. Pedestal removed, Cut Me & I Bleed presents "The King” in a raw, more human, and often explicit manner -- one that eschews the family friendly image constructed by the Elvis foundation.
Twenty-two tracks total, the . . .
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