On the heels of his superb new album, Caravan, Cactus Lee’s Kevin Dehan returns for his second Lagniappe Session fresh in the air of a newer, bigger, more boogieing climate. On this outing, Dehan and some sacred personnel lay their slick, soulful style down on renditions of the glossy, top ten pop of mid-80’s Christine McVie, Butthole Surfers’ absurdist punk, and a rootsy glam-jam from the Dead.
Earlier this year, Graves (moniker of veteran singer-songwriter Greg Olin) released his best record yet in Gary Owens: I Have Some Thoughts, a country gem influenced by “a lineage of West Coast dreamers, surfers and skaters”. The California-based musician treats his inaugural Lagniappe Session with a similar country touch, the five eclectic tracks accompanied accompanied by pedal steel guitar, Wurlitzer piano and more.
You can’t Jeffrey Alexander down. Whether with The Heavy Lidders or Dire Wolves, he’s been traveling the highways and byways the New Weird frontier for decades. Hot off the heels of this latest album Easy Portals, he drops by AD to share a grab bag of covers from various projects, featuring tunes by The Fall, Top Drawer, and Swedish psych legends International Harvester.
This week’s installment of the Lagniappe Sessions catches up with Welsh singer-songwriter Huw Evans who, under the guise of H. Hawkline, has released five records over the past thirteen years. Evans most recent effort, the excellent Cate Le Bon produced LP, Milk For Flowers, dropped earlier this year and the following session acts as a sort of companion set. Expect: unexpected covers of covers, hi-fi nods to Cleaners From Venus, and the majesty of Yoko Ono.
Listen and you’ll hear it…the howl of the Prairiewolf. On their self-titled debut, guitarist Stefan Beck (Golden Brown), keyboardist and synthesist Jeremy Erwin (The Heat Warps), and bassist Tyler Wilcox (who Aquarium Drunkard and Doom and Gloom from the Tomb readers know well) explore kosmische drifts, nocturnal guitar tangles, and expressively jazzy passages. For their first-ever Lagniappe Session, they dive into selections by Yo La Tengo, Melvin Jackson and Eddie Harris.
Returning with another Lagniappe Session, Irish singer-songwriter Aoife Nessa Frances and Hollow Hand’s Max Kinghorn-Mills collaborate today on the following pair of inspired covers, recorded with Aoife’s long time collaborator Brendan Jenkinson. First up, the majesty that is the Elvis Costello penned “Shipbuilding”, via Robert Wyatt’s 1982 single, followed by a spirited rendering of the 1992 Yo La Tengo gem, “Always Something”.
Backed by a murderer’s row of local Nashville talent (Erin Rae, Rich Ruth, Sean Thompson, Adam Bednarik and Dominic Billett), Spencer Cullum returns to AD fold with the following encore Lagniappe Session. Not unlike his 2021 entry, the set of covers riffs on various portions of Cullum’s musical diet, from the ’70s avant pop of Slapp Happy to the ineffable magic that was Soft Machine’s second full-length.
Brooklyn’s Emergency Group emerged earlier in 2023 with Inspection of Cruelty, a radical cassette on Island House Recordings. Blending electric Miles adventurism with kraut-y psychedelia, it was an auspicious debut — and its two extended tracks left you hungry for more. Fortunately, the quintet is already in the planning stages for a second LP, this one in collaboration with Psychic Temple / Big Ego mastermind Chris Schlarb. While we wait for the fruits of those sessions, dig Emergency Group’s first Lagniappe Session — it’s a doozy.
Embrace the choogle. As far as summer jammers go, Sean Thompson’s ‘Weird Ears’ LP from last August continues to pay dividends as it slides from country to cosmic in the blink of an eye. Presently woodshedding material for his next full-length, we caught up with Thompson and co. from his Nashville home, cutting four tracks for his inaugural Lagniappe Session. Come for the Funkadelic cover, stay for the Kernal.
If you’ve followed AD for a minute you’re likely aware of Sam Blasucci’s role as one half of the Los Angeles based Mapache. Whereas that project hones in on the sunny sonic alchemy of LA’s coast and canyons, Blasucci’s recent solo material works a slightly different thread, influenced both by his move from guitar to piano, and time spent in New Orleans over the pandemic. On heels of his debut long-player, Off My Stars, Blasucci’s Lagniappe Session digs into the work of Mexico’s Marco Antonio Solís Sosa, an old standard made popular by Jimmy Durante, and a nod to his own Italian roots.
On the heels of their superb, hypnotically smooth fourth record, we bring you the inaugural Lagniappe Session from John Andrews & The Yawns. While Love for the Underdog examines the cinematic charms of the classic theater experience, this batch of covers expands upon the far reach of Andrews and his talented collective. From lo-fi takes on familiar influences like Arthur Russell and Vashti Bunyan, to the elusive single “Seabird” (also check the Peruvian yacht-rock version) by singer-songwriter duo The Alessi Brothers, there is a plethora of inspired takes to get lost in.
Consummate purveyors of ‘American weirdness’, Chicago’s Glyders returned to the fold earlier this year with the release of their latest LP, Maria’s Hunt, via hometown heroes Drag City. Buttressing the album, the band’s Lagniappe Session takes on southern fried Skynyrd, The Damned as chooglers, acoustic Scott Walker and Johnny Mathis by way of the Hoss.
For his premiere Lagniappe Session, Mike Novak takes the cinematic reverberation of Dark Canyon and infuses it into the compositions of Lee Hazelwood – another musician who was no stranger to the spectral sounds of lonesome desert towns.
Jon McKiel is responsible for one of our favorite records of 2020, the wildly hypnotic collection of songs that is Bobby Joe Hope. In anticipation of its follow-up, we caught up with the Canadian musician as he lays down his inaugural Lagniappe Session, paying tribute to both a ’70s childhood AM radio staple and what is sure to become a future classic.
Erin Rae returns to AD with her third Lagniappe Session, this time as a duo with Taylor Zachry. A callback of sorts to her initial session from 2019, this installment once again finds the Nashville based singer-songwriter paying tribute to the enduring work of the late Gene Clark, covering “Out On The Side” and “Polly” – both tunes via Clark’s own late sixties collaboration with banjo player Doug Dillard.