In 1962, a young left-handed guitarist from Texas named Barbara Lynn Ozen penned a song called “You’ll Lose a Good Thing.” More than 50 years later, the song continues to resonate with audiences: It was a chart topping hit when released and was featured in John Waters’ camp ‘80s flick Hairspray, extending its influence beyond the cult of soul aficionados who’d long treasured it. It’s impossible not to be drawn in by Lynn’s plaintive, bared soul intensity, which she developed on two albums for Jaime and one for Atlantic: 1968’s
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