The late Cameroonian musician Francis Bebey has been the subject of two excellent compilations over the past several years, African Electronic Music 1975-1982 and the subsequent Psychedelic Sanza 1982-1984. While the former (an absolute party of a record) focuses on Bebey’s marriage of African rhythms with synth heavy funk, (songs like “New Track" and "Savannah Georgia" get super slinky), the following years . . .
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