Way back in 2008, Benji Hughes released a genuinely weird and supremely pleasurable record called A Love Extreme. It was, in all the best ways, an oddity. Released by New West, primarily known for Americana and alt-country, Hughes' record was pure pop -- crunchy guitars, big drums, monster hooks, his thick, narcotized voice booming. In his review of the record for Esquire, Chuck Klosterman cited Cody Chesnutt . . .
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