Bloomington’s Mike Adams has been percolating just under the radar for a few years now, honing a blend of shoegaze, dream pop, and ‘70s singer/songwriter charms. His latest, Casino Drone, out now on Joyful Noise Recordings, is his best and most touching yet, full of the kind of songs you feel like you’ve heard a dozen times before but can’t quite place. It’s great in a specific, lived-in way; the guitars alternate hefty and woozy, and . . .
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