“Palm Springs", via Social Climbers’ 1980, self-titled, sole lp - the vehicle of Bloomington’s Mark Bingham. Though existing in the new wave world, the project stands as an outlier, in great thanks to Bingham’s further explorations into jazz, dance, disco, and funk.
In ways, it’s an early example of bedroom pop and a bright forebearer of modern DIY (“See “Chris and Debbie”). Having collaborated with fellow avant-garde musicians Glenn Branca and John Scofield, you . . .
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