Lloyd Miller, a complicated man with a fascinating range of musical vocabulary, was known amongst his peers in the ethno-musicologist world as something of a mad genius, having immersed himself in dozens of languages and hundreds of instruments, receiving a doctorate with a concentration in Persian music.
A little under a decade ago, London’s Jazzman Records compiled an exquisite anthology of Miller’s various groups and recordings. Detailing in gorgeous composition, the set exhibits the musician's enchantment with the music and . . .
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