Greetings from the rainy west. Welcome to the February episode of the Aquarium Drunkard Transmissions podcast. This episode, we’ve got a duo of musicians whose art blurs the lines between minimalism, the avant-garde, and Americana (whatever that word means in this fractured age). This episode, we’re joined by guitarist William Tyler. You might recognize him from our podcast’s theme song, “Four Corners,” or the essay he recently penned for Aquarium Drunkard, “Cosmic Pastoral,” which drew lines connecting the tranquil sounds of Windham Hill to cosmic new age, the modern jazz and classical sounds of ECM, and William’s own music. Your host Justin Gage sat down with him at Gold Diggers in East Hollywood as part of our recurring Talk Show series, to discuss and hear live selections from his most new record, Goes West.
But first, we head to Wickenburg, Arizona where Jason P. Woodbury sat down with Bruce Hornsby to discuss his brand new, just announced album, Absolute Zero. It’s out April 12th, and like everything he does, it’s hard to put it in a box. Self-produced, the record features collaborations with Justin Vernon of Bon Iver, Brad Cook, ECM veteran Jack DeJohnette, guitarist Blake Mills, yMusic, Grateful Dead lyricist Robert Hunter, and others. There are moments inspired by jazz, others inspired by classical, some which draw on Hornsby’s folk and roots influences.Transmissions Podcast: Bruce Hornsby/William Tyler
“…for 93% of the populace, most everybody, they listen, for the rest of their life, to the music of their youth. I think that’s really
Reclining in his seat backstage at the Del Webb Center for the Performing Arts in Wickenburg, Bruce Hornsby is speaking about adventurous music listeners. But in many ways, he might as well be speaking about himself. For more than three decades, the pianist and composer
Hornsby’s new album, Absolute Zero, furthers his commitment to chasing inspiration, no matter what unlikely places he may end up doing so. From the harmony-laced title song to the Steve Reich-ian “Fractals” to the cresting anthem “Voyager One,” the record is defiantly unclassifiable. One gets the sense that’s the goal. While many musicians settle into an artistic groove, 33 years removed from his commercial breakthrough, Absolute Zero finds Hornsby exploring sound as boldly as ever.
On this latest lp Goes West, guitarist
“There is a spiritual aspect to my music, that I can’t even say I’m directly cognizant of…I think ‘new age’ is a really great banner to be under. It gets at a lost of different things that aren’t necessarily musical.”
For this episode, Tyler joined Aquarium Drunkard founder Justin Gage at Gold Diggers in East Hollywood, to perform a number of selections from Modern West, discuss his recent reading, and how geography defines his sound.
Episode Playlist: William Tyler – Four Corners ++ Bruce Hornsby –Echolocation ++ Bruce Hornsby – Absolute Zero ++ William Tyler – Not In Our Stars (Live at Gold Diggers) ++ William Tyler – Eventual Surrender (Live at Gold Diggers) ++ William Tyler – Fail Safe (Live at Gold Diggers) ++ William Tyler – Call Me When I’m Breathing Again (Live at Gold Diggers) ++ Mary Lattimore – Remember When Your Mom Wore Big Glasses and Played Her Harp
Bruce Hornsby photo by Sarah Walor; William Tyler photo by Chantal Anderson; Collage image by Michael J. Hentz
Dig into the podcast archives, which include interviews with Ken Lanye of Desert Oracle, Nate Chinen on jazz, our interview with Gillian Welch, our reflection on the late night magic of Art Bell, and much more.
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