AD contributor Tyler Wilcox has spent the last few weeks trying to wrap his head around Oren Ambarchi's latest, a collaboration with famed Brazilian percussionist Cyro Baptista. But Simian Angel is slippery — it sounds different every time you spin it. New details emerge, textures shift, grooves come undone. What feels soothing and meditative on one listen seems to skirt the edges of disquieting dissonance on the next . . .
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