Horse Lords have a way of infusing radical ideas with rational approaches. Over four studio albums, the Baltimore quartet has developed a sharp line of inquiry around systems that organize not only music-making but also society, philosophy, and belief. The ensemble gives the folksy appearance of a rock band–bass, drums, guitar, and saxophone–yet they regularly employ dense weaves of polyrhythms and explore mathematically derived tuning systems with modified instruments and electronic processing . . .
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