Not one to avoid earnestly discussing and exploring the sounds of his English influences, Cullum reached into the overflowing 60s/70s British folk bag, proffering three selections from pillars of the era in Kevin Ayers, Trees, and Bridget St. John. These deft reinterpretations are patient and affecting, each take heightened by Rae's truly fine vocal accompaniments. Overt respect to the forebears . . .
Only the good shit. Aquarium Drunkard is powered by its patrons. Keep the servers humming and help us continue doing it by pledging your support.
To continue reading, become a member or log in.