Blending modular synth, piano and viola with richly textured field recordings, Chiu and Honer have crafted something exceptional — an immersive sonic environment that harkens back at times to the work of Brian Eno and Terry Riley without bowing at those particular altars. You could call it ambient music, but that genre tag doesn’t quite fit. This is human music — it lives and breathes, filling the air with strangely slanting light and luminous improv . . .
Only the good shit. Aquarium Drunkard is powered by its patrons. Keep the servers humming and help us continue doing it by pledging your support.
To continue reading, become a member or log in.