Zach Phillips’ OSR Tapes is probably among the most admired contemporary labels you’ve never heard of. Defining Phillips’ style in one paragraph is as hard as summarizing the history of the dozens of pseudonyms he has composed under.
For this interview we caught up with Philips to discuss institutional experiments with labels, his relation to South American music, his poetry and friends in New York, his imagination of harmony, Agamben’s messianism, and more . . .
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