At the start of 2020 Aoife Nessa Frances initiated the new year with her psych-folk debut, Land of No Junction. Misty vocals, expansively intricate guitar work, gauzy strings, and mellotron washing over hazy production cemented her a spot as one of the most promising artists of a new decade. On Protector that prediction holds up. Frances has created an album of down-tempo pop music that retains the psychedelic leanings of her first LP. The vocal work of the Irish songwriter remains serious and solemn, but the work put into the arrangements of the tunes seem to signify a . . .
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