Four years after the brilliant Mind the Neighbors and seven after the highly-praised They Sell Doomsday, World of Wonder brings back Ryan Power's multi-genre kaleidoscope of kosmische sensibility, toy aesthetics, and chamber pop sublime. It closely follows Fievel is Glauque's now-famed brand of indie jazz psychedelia, with broken and demented (and yet perfectly refined) melodies going through unexpected harmonic progressions, modulating right before the phrases can find a conclusive stage . . .
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