With this recording of Suzanne Ciani's 1974 live Buchla concert at Galeria Bonino in New York, Finders Keepers adds a new touchstone to the obscure history of modular synth music (and to the crucial part female artists have played in it). It also throws light into the deep connection between experimental sound design and the new age music that Ciani later represented, a connection that is not at all restricted to Pauline Oliveros or, later, Laraaji and Eno. In this release, the complex drones of electric sequencers form soft, shapeless tapestries with an almost religious ease . . .
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