Limbo District made its own rules. The Athens, Georgia post-punk outfit spliced hammering Afro-centric rhythms to Weimar cabaret decadence in theatrical performances that pushed late 1970s gender norms to the breaking point. They were out and gay before almost anyone, creative in a variety of artistic disciplines and an inspiration to a whole generation of wild, weird Athenians: Michael Stipe of R.E.M., Keith Strickland of the B-52s and members of Pylon . . .
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