On their third album, Flamingo Tower, LA’s monde ufo feel stranger, darker, and heavier than ever before – a damning and ghostly document of erosion, malaise, and decay. With a recurring psalm theme and atmospheric operatic vocals from Kathryn Tabachnick, the album’s groggy, spiritual cacophony feels perpetually on edge, with bandleader Ray Monde’s hushed spells mired in an occult dread constituted by propulsive, free-jazz psychedelia, hallucinatory bossa nova, and possessed, lo-fi garage rock . . .
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