Over the past decade, Destroyer has shifted seamlessly into middle age. Where restless, lesser artists might have manufactured reinvention narratives or settled into the indie oldies circuit (imagine the money to be made from a Kaputt 15th anniversary tour), Bejar and his muse have kept on truckin’: ken, Have We Met, LABRYNTHITIS, and now Dan’s Boogie. Not career-defining statements, but statements out of which a career is defined . . .
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