Nala Sinephro might not be the first name you’d think of when it comes to wrestling-movie soundtracks, but the emerging ambient jazz star’s work for Benny Safdie’s biopic has plenty of force. Her brief but evocative score uses her familiar tools – harp, synths, sax, occasional percussion – to create an atmosphere of tumultuous reflection and serenely ominous potential. In its tenderness and ambiguity, it traffics in a different sort of destruction . . .
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