SML rattles and clatters, following slap-dash, stutter-and-roll rhythms through rave-glowing forests of incandescent synths. The personnel comes from jazz, more or less, but you can hear bits of ambient chill-out, early aughts EDM, hip hop, house and free improvisation. Slashing, bumping, “Take Out the Trash” runs on a noir-ish bassline, a bit of David Axelrod's cinematics or Death in Vegas’ ominous dance grooves in its cowbell clanging, horn-bursting swagger . . .
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