While Milton Nascimento is more known internationally for his role in Brazilian jazz fusion, he also composed landmark MPB records of his own, that often brought forth folkloric Brazilians genres like toada, lundu, moda de viola, and even some Medieval revivalism. Maria Maria is a highlight among those explosions of ancestral rhythms. Composed as the soundtrack to a 1976 ballet about a black female slave choreographed by Group Corpo, it would eventually culminate in the historic Missa dos Quilombos in 1982, when Milton led a drum-filled Catholic mass for a legion of Afro-Brazilians in the Praça do . . .
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