In the spring of 1999, The Sea and Cake's Archer Prewitt spent a few days in a partly dilapidated building and makeshift studio in the Australian coastal town of Gerroa. Equipped with his guitar, an 8 track reel-to-reel and a couple of friends, the understated Gerroa Songs is a self-described aural snapshot, a stripped down and almost meditative affair. An airy and sparse antithesis of Prewitt's tight studio works, the seaside spatial atmosphere of the recordings is a formula likely to win over fans of the modern Guitar Soli revival, various ambient works and beyond . . .
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