Paste-up scrapbook transmission. D’Ya Hear Me!: Naffi Years 1979–1983 moves through a corner of British post-punk where homemade electronics, dub atmospherics and soft-focus pop dissolve into one another. Domestic and nocturnal, drum machines pulse beneath elastic basslines, guitars blur into tape haze, melodies appear only to evaporate. Reggae permeates everything, not as influence or quotation but as environment . . .
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