The music of Acetone seems to exist outside conventional methods of timekeeping. Off to the side. Suspended and slightly warped.
Likewise, the story told about the band in Sam Sweet’s non-fiction novel, Hadley Lee Lightcap and in the grooves 1992-2001, the book’s accompanying audio companion, eschews a strictly chronological approach. The book drifts, warm and hazily, through the lives of the Los Angeles trio, bassist . . .
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