Similar to the formative ethos of Les Baxter or Haruomi Hosono’s instrumental take on the Pacific on “The Last Paradise”, Floreana’s grooves are soaked in saltwater like the crashing waves in the outro of “Asilo de la Paz”.
Similar to the formative ethos of Les Baxter or Haruomi Hosono’s instrumental take on the Pacific on “The Last Paradise”, Floreana’s grooves are soaked in saltwater like the crashing waves in the outro of “Asilo de la Paz”.