I truly loved Liz Phair’s early stuff, and the recent ATO reissue of her Matador lo-fi debut – the still-excellent Exile In Guyville – only reinforced my appreciation. While I can’t necessarily speak to the quality of her last few […]
I truly loved Liz Phair’s early stuff, and the recent ATO reissue of her Matador lo-fi debut – the still-excellent Exile In Guyville – only reinforced my appreciation. While I can’t necessarily speak to the quality of her last few […]