Lucrecia Dalt has spent the better part of the last decade crafting some of the most quietly ecstatic sounds in experimental music. The new album by the Colombian-born, Berlin-spun, US-based artist finds her the most content with her own creative process, weaving together the intimate and the vast, the conceptual and the personal, the intellectual and the sensual, with imperative freedom. Recorded in the high desert of New Mexico, A Danger to Ourselves breathes with the expansiveness of the surrounding landscape and her own avant-garde influences while remaining tethered to pop song forms and to the self-centrifugal experiences of love, eroticism, romance, and loss.