“No Others” lurches and glides, its stuttering rhythm anchored by acoustic bass and skittering snare, its vocal melody light and fluid. The London-based Gill taps into bossa nova, tropicalia and fusion jazz on this and other tracks, blowing out phrases as iridescent as soap bubbles over hip-grinding, body-moving cadences. This first single from the multi-instrumentalist and composer is layered but unencumbered.