Sandro Perri is a patient excavator of musical possibilities. For the last three decades, the Toronto based musician has put out meticulously crafted toy adventures marked by hypnotic loops and heartfelt deliveries, in songs that feel refreshingly un-derivative and that carve a distinctive space in the landscape of contemporary experimental pop. What unifies the cerebral techno of Polmo Polpo, the imaginative funk of Impossible Spaces, or the seemingly infinite mosaics of the more recent records, though, is the piecemeal lacing of cell fragments by the game of restraint and discovery of his artistic research.
Category: Sandro Perri
Sandro Perri :: Soft Landing
Last year, Sandro Perri returned with In Another Life, his first proper long-player in the better part of a decade, and a self-proclaimed experiment in “infinite songwriting.” Now Perri has turned around with something of a companion piece: an extension of his immeasurable pop sensibilities in the form of an album entitled Soft Landing.
Sandro Perri :: In Another Life
Sandro Perri asks our patience. And time and again, he proves worth the wait. This week sees the release of In Another Life , his first proper lp since 2011’s visionary Impossible Spaces (that record […]
Sandro Perri :: Impossible Spaces
I’ve had Imposible Spaces , the first sign of new Sandro Perri since the release of 2007’s Tiny Mirrors, in the deck for weeks now. Yes, it has proved worth the […]
Sandro Perri :: Tiny Mirrors
Released last Fall, Sandro Perri’s LP, Tiny Mirrors, (amongst its other charms) boasts a lo-fi cover of Fred Neil’s “Everybody’s Talkin.” No stranger to interpretation, Perri’s rendering inhibits a mournful and folksy late-night quality, subtly accompanied by light percussion, dual harmonies and multiple, interweaving, acoustic guitars. Next to Harry Nilsson’s (definitive) cover, this might be my favorite version yet. Highly recommended.