Terry Allen :: The Aquarium Drunkard Interview

A singer-songwriter as acclaimed for his art career, Terry Allen has always done things his own way. From his blood-soaked travelogue debut Juarez, to sculptures that reside in airports⁠, he’s devoted his life to staggering bodies of work that move effortlessly between gallery walls, theatrical stages, and public airwaves. And that’s barely scratching the surface…

Terry Allen :: The Aquarium Drunkard Interview

Terry Allen is a maker of things. A sculptor, illustrator, playwright, collagist, and, perhaps most famously, a singer and songwriter who, over the last five decades, has amassed an extensive catalog of avant-country gold. His 1975 album Juarez, a striking and brilliant concept album that plays as a kind of sunburned, southwestern Badlands, and 1979’s sprawling Lubbock (On Everything), a rollicking and wry send-up of Allen’s West Texas hometown, are rightly held up as unimpeachable masterpieces of proto-americana music. Each have recently received extensive reissues by the North Carolina label Paradise of Bachelors, who will also issue Allen’s forthcoming new album.

Open Door To The Galaxy: The Radio Plays of Jo Harvey and Terry Allen

With a series of radio plays recorded between 1986-1992, Terry Allen and Jo Harvey presented the mythic Southwest, a wide open imaginary landscape haunted by denizens Allen describes as “climates” rather than characters. A handful of these fated souls are profiled in Pedal Steal + Four Corners, a handsome collection of Terry’s longform audio works by Paradise of Bachelors that spans an LP, CDs, and a book rich in lore and photographic documentation.