Agharta Deluxe: Live Miles in Japan, 1975

The Miles Davis septet’s 1975 tour of Japan produced the bandleader’s final definitive statements of his electric era with the Agharta and Pangaea double live LPs. Until a Bootleg Series entry celebrates the tour with a much-deserved box set, unofficial tapes of the 3-week run remain our deepest look into this expanded universe. Here’s a primer on the best of the lot. The shows that burned the hottest and those that explored the furthest reaches of terrain to which no artist has returned . . .

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Grooves Outside The Academy: An Interview with Peter Gordon from Love of Life Orchestra (Part 2)

An almost Zelig-like figure whose life and career has seen him careen from postmodern rock and jittery Downtown dance music ensembles, to opera and theater pieces, orchestral works, contemporary DJ culture, and so much more, Peter Gordon is the type of multifaceted artist whose wide range of interests have made him something of a cornerstone of underground music culture in New York City for well over four decades now. Even if few people outside of New York know who he is. And even there he’s not a household name. But that hasn’t stopped him from casting a . . .

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Lynch People: Remembering David Lynch

In tribute to David Lynch, we reached out to a variety of musicians, writers, directors, and artists within the AD orbit to share their thoughts on working with Lynch, watching his films, and the many ways he influenced their own art and life . . .

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Dialup Ghost :: May You Live Forever in Cowboy Heaven

Nashville’s Dialup Ghost have an uneasy relationship with their hometown, celebrating country music while gleefully corrupting its wellsprings. Adding orchestral flourishes and old-timey touches to eccentric indie rock ballads, Dialup Ghost investigates the idea of the South as both a metaphor and a sound, finding potent new territory amid a tangle of old paths and forgotten byways . . .

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Neil Young :: Honey Slides V

Somehow, Neil Young turns 80 this year, and we're getting the celebration started early with the fifth edition of Honey Slides, our annual Shakey rarities roundup — this one focused on the acoustic side of things. Even with the outrageously expansive Archives Vol. III being released just a few months back, there are plenty of dusty cabinets of the man's discography (both official and semi-official) to rummage through. From live oddities to unusual arrangements, from solo performances to full band renditions, Honey Slides V covers plenty of ground, despite its generally stripped down vibes . . .

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The Dave Pike Set :: Infra-Red

The Detroit-born vibraphonist and marimba player Dave Pike was a veteran of flautist Herbie Mann's early 60s soul jazz groups, and a leader who had recorded with Bill Evans, Reggie Workman and Herbie Hancock, when he decamped for Europe in the late 1960s. There he hooked up with stellar guitarist Volker Kriegel, bassist J.A. Rettenbacher, and drummer Peter Baumeister to form the short-lived Dave Pike Set and record for the adventurous German MPS Records label. The Pike Set's recently reissued third album Infra-Red from 1970 reveals a psychedelic groove band as capable of trippy . . .

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The Aquarium Drunkard Show: SIRIUS/XMU (7pm PST, Channel 35)

Jazz grip. Via satellite, transmitting from northeast Los Angeles — the Aquarium Drunkard Show on SIRIUS/XMU, channel 35. 7pm California time, Wednesdays.

34.1090° N, 118.2334° W . . .

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Sam Amidon :: Salt River

The big news about Salt River is the collaboration with Sam Gendel, a celebrated jazz saxophonist who has worked with Amidon in various roles since 2017. However, aside from an extended reedy flight of fancy in “Tavern,” Gendel’s role as producer is primarily to get out of the way, and let Amidon be Amidon, his folky experiments haloed by an aura of extraordinary clarity . . .

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Mogwai :: The Bad Fire

Mogwai’s 11th album takes another sludgy trudge through ambient beauty, delineating radiant architectures of synth and kicking them into gear with a jet-engine roar. They’re still world champions at WTF song titles, offering up “Pale Vegan Hip Pain” and the Philip K. Dick-referencing “If You Find This World Bad, You Should See Some of the Others” this time, among others, and still among the best at raising an anthemic, cathedral-vaulted ruckus. Producer John Congleton, an adept at infusing loud sounds with pristine clarity, captures plaintive ache and triumphant crescendo here, distilling Mogwai’s essence into . . .

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Lamentations: Twenty-Two Songs about John Coltrane

In the nearly six decades since his untimely passing, musicians from all over the world have never stopped honoring John Coltrane. And not just artists in the jazz tradition, those in rock, funk, prog and soul as well. We put together a compilation of twenty-two of our favorite tributes to the visionary saxophonist. In the extraordinary variety of ways musicians have chosen to honor him, you can see an outline of the magnitude of his impact on modern music . . .

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Like A Corkscrew To My Heart: Blood On The Tracks Reimagined

As if to illustrate the neverendless aspect of Blood On The Tracks, Dylan has refused to let these songs settle into a final form; over the past half-century, he’s delighted in adding new verses, switching pronouns and perspectives, introducing new (sometimes very weird) arrangements. “Everything up to that point had been left unresolved,” he sings in “Shelter From The Storm.” And even in 2025, this is an album that still feels beautifully unresolved; you’ll hear it one way today and another way tomorrow. It’s open to interpretation — and interpretations are what we’ve got here, a . . .

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Grooves Outside The Academy: An Interview with Peter Gordon from Love of Life Orchestra (Part 1)

An almost Zelig-like figure whose life and career has seen him careen from postmodern rock and jittery Downtown dance music ensembles, to opera and theater pieces, orchestral works, contemporary DJ culture, and so much more, Peter Gordon is the type of multifaceted artist whose wide range of interests have made him something of a cornerstone of underground music culture in New York City for well over four decades now. Even if few people outside of New York know who he is. And even there he’s not a household name. But that hasn’t stopped him from casting a . . .

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Hemlock :: November

The 30-track collection November immerses listeners in process, allowing one to follow along as Carolina Chauffe jots down musical notes and sketches, some of them to be developed later, others not. We wrote about Hemlock's 444 LP not too long ago, a sort of greatest hits constructed out of Chauffe’s daily songwriting devotion, but appreciate the diversions and half-successes and byways of this collection. Some days yield gemlike beauties, others not, but it is all about the journey . . .

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Mt. Misery :: Love In Mind

If one yearns to take solace in a breezy, hypnotic collection of guitar pop, Love In Mind is the antidote. There's a chiming whimsy reminiscent of Teenage Fanclub at their most melodic (such as the compositions of departed songwriter Gerard Love). Lyrically, the jovial and wide-eyed buoyancy of tracks like "Sunday Song" and "Waking Up" will specifically remind TFC heads of classic, Big Star-inspired efforts like Songs From Northern Britain. If the comparison seems too evident to ignore (or one to fellow Scottish legends Belle and Sebastian), the young band actually welcomes it like a badge of . . .

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Radio Free Aquarium Drunkard :: January 2025

Freeform transmissions from Radio Free Aquarium Drunkard on dublab. Airing every third Sunday of the month, RFAD on dublab features the pairing of Tyler Wilcox’s Doom and Gloom from the Tomb and Chad DePasquale’s New Happy Gathering. This month, Wilcox continues his annual January tradition of sharing a host of Neil Young rarities — outtakes, live recordings and more, spanning a half-century. Then, Chad delivers a an hour of psychedelic folk, ambient music & orchestral pop. Sunday, 4-6pm PT . . .

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