Four albums into their career as one of the most accidental of "super-groups," the New Pornographers seemed to have hit a bump. While Challengers was a solid record, it wasn't nearly the equal of its predecessor, the near-perfect Twin Cinema, and the interim between albums had seen masterful releases from both A.C. Newman and Dan Bejar's Destroyer and only a quasi-return to the fold for Neko Case . . .
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