Argentina's Pescado Rabioso existed in name only by the time this laid back groove was produced and released in 1973. Culled from the band's best, fourth, and final record, Artaud, "Cementerio Club" is a dead man's blues -- a man cut down by by his lover's contempt, left for dead from the heat of too many moments. And when our dead man sings of how sad and lonely he'll . . .
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