A clutch of North Carolina albums have been on my mind of late. Hiss Golden Messenger’s Haw is the third corner of a triangle that started with the solitary winter blues of 2010’s Bad Debt and more full-flowered folk-rock of Poor Moon in 2011. The three albums cover a similar surface area, a haunted little patch of earth that I’m often wary to get too close to. It’s funny: a friend of mine . . .
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