The psychedelic cowboy known as Lee Hazlewood was a force unlike any other: his deep baritone, his effortless cool, his expansive, boundary-pushing production and, perhaps most of all, his immense talent for composition. It’s the latter two that, lately, have caused his rendition of Tom Rush's “No Regrets,” from The Cowboy & the Lady, his 1969 collaborative album with Ann-Margret, to cut deep and true. From the very first notes, the . . .
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