Like any artist who has been making records for close to five decades, Richard Thompson has tried out various modes and methods in the studio. He's worked with a variety of producers, from the legendary Joe Boyd in the 1960s to Mitchell Froom in the 1990s to Buddy Miller on 2013's invigorating Electric.
After all these years, probably the best approach for anyone working with Thompson is to just step out of the way and make it easy for the man do his thing -- that . . .
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