One on my favorite Elvis albums, even though it's a bootleg, is Cut Me & I Bleed released on Double G Records. The album is a collection of alternate studio, home, and live rehearsal recordings that present "another side" of Elvis. Pedestal removed, Cut Me & I Bleed chooses to present "The King" in a raw, more human, and often explicit manner, one that often eschews the family friendly image constructed by the Elvis foundation.
Of all the tracks (22 in all), the real gem of the bunch, and a personal favorite . . .
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