There's a guitar tone that opens A.A. Bondy's third album Believers like someone ringing strings at the bridge of the guitar. It fades as "The Heart Is Willing"'s metronome drums and main guitar line come in, but that momentary disorientation, like an alarm bell ringing softly in the middle distance, echoes the record's sense of numbing disorientation. This is an autumn album; not the early autumn of . . .
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