Clarity. This is the central theme that becomes immediately apparent on Parallax, the third Atlas Sound long-player. Here, Bradford Cox’s distinctive echoed voice is cleaner, more familiar, like he’s hovering right above you. There’s a lot of space between his vocal melodies and the rest of the clamor. It’s a natural phenomenon/progression: artists attempting to move closer to their audience with each subsequent release, shedding the noise, the expectations and the distractions, in an attempt to convey an emotional presence that . . .
Only the good shit. Aquarium Drunkard is powered by its patrons. Keep the servers humming and help us continue doing it by pledging your support.
To continue reading, become a member or log in.