On Nashville singer-songwriter Natalie Prass’ self-titled album, every song is like a tiny miracle. Helmed by producer Matthew E. White and his Richmond, Virginia-based studio/band/label, Spacebomb, the album features lush string arrangements, jazzy overtones and classic R&B horns. But White could make almost anyone sound good. What sets Prass far apart is the maturity of her songwriting; her elegant, woodwind-esque . . .
Only the good shit. Aquarium Drunkard is powered by its patrons. Keep the servers humming and help us continue doing it by pledging your support.
To continue reading, become a member or log in.
