If things had worked out differently, Vince Matthews and Jim Casey’s 1972 album The Kingston Springs Suite might be heralded as an outlaw country standard, alongside conceptual records like Red Headed Stranger, Will the Circle Be Unbroken, and Bitter Tears. Produced by Shel Silverstein in association with Johnny Cash, “Cowboy” Jack Clement, and Kris Kristofferson, it’s an example of down-home high art, a love letter to the small rural town for which its named, southwest of a thriving Nashville in the early ‘70s . . .
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