Rock Pool is an extension of the madcap musical world of Le Bon’s last record, Crab Day. She calls these songs the “killed darlings” of that studio session, in which she conjured the ritual tunes for an absurdist holiday of the mind, her “crab day.” The sound is playful: wild fun in constant danger of unraveling, or perhaps some FLUXUS game for rock band. However, the playfulness is contained in deftly composed songwriting, bursting with formal . . .
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