Despite what its title may seem to imply, Ben Lamar Gay’s Downtown Castles Can Never Block the Sun is not some kind of pastoral manifesto. In fact, you’re not likely to hear an album in 2018 so steamed by big-city humidity. Like King Krule, Gay is some kind of post-industrial master of structural manipulation, the kind of guy who can fit a song into the most unlikely of unoccupied spaces the same way an . . .
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