In the four years since her last record, Sharon Van Etten has been busy. In that time she's gone back to school, scored a film, and become a mother. It's that last element that seems to hang over much of her excellent new album, Remind Me Tomorrow. Produced by John Congleton, it's solid leap forward for an artist who has made substantive changes with every album she's released. Aquarium Drunkard caught up with Van Etten, via phone from her home in Brooklyn, to discuss her new record, the paranoia of parenthood, the connective power of shared . . .
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