In the four years since her last record, Sharon Van Etten has been busy. In that time she’s gone back to school, scored a film, and become a mother. It’s that last element that seems to hang over much of her excellent new album, Remind Me Tomorrow. Produced by John Congleton, it’s solid leap forward for an artist who has made substantive changes with every album she’s released. Aquarium Drunkard caught up with Van Etten, via phone from her home in Brooklyn, to discuss her new record, the paranoia of parenthood, the connective power of shared stories, and how Suicide, Nick Cave, and Portishead informed the work.
“You told me the day / that you show me your face / we’d be in trouble for a long time. / I can’t wait / ’til we’re afraid / of nothing.” This is how […]
( Sevens , a recurring feature on Aquarium Drunkard, pays tribute to the art of the individual song.) I’ve become obsessed with segues and album structure over the years. I appreciate, probably to excessive levels, a […]
Information. We crave it, store it, need it. Thrive on it. When I am out and about I am constantly making notes in my phone: lists, things to look up, research, read. And at the […]