Lagniappe (la·gniappe) noun ˈlan-ˌyap,’ – 1. An extra or unexpected gift or benefit. 2. Something given or obtained as a gratuity or bonus.
On his latest, Goes West, guitarist William Tyler evokes the sound of the wide open. Featuring Tyler on acoustic guitar (electric playing is provided by Meg Duffy of Hand Habits), it both connects to his earliest guitar soli records and expands his stylistic toolkit. In an essay for Aquarium Drunkard, William called this blend of folk, country, and new age “cosmic pastoral,” and its an apt description for the way his sounds feel both
A couple of years ago when I was working with Brad Cook, he told me I should try to learn more covers. I wanted to rearrange some sort of canonical rock song the way that Kottke or Tommy Emmanuel do, and this was the first one I hit on. I think Lindsey Buckingham could have made a hell of an acid folk record, FWIW.
Dvořák wrote this symphony while he was an expat living in the States at the close of the 19th century. He was tremendously influenced by American folk idioms and gospel music, and this theme has passed into our collective unconscious so effortlessly that it’s hard for people to remember that it was written by a Czech composer and not, in fact, a homegrown folk tune. The “New World Symphony” to me represents one of the first cross-continental examples of Cosmic Americana.
I wanted to cover a tune by someone contemporary that I felt I could reinterpret in a respectful but more literal way. There is such an evocative and wandering melody to this song—was trying to think of Chet Atkins conducting the Everly Brothers or something classic like that. Although, when I played this for my dad last night, who has never heard the original, he said it reminded him of a Springsteen song and then asked me if there was some sort of “New Jersey sound” to this kind of ballad since of
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