Genre fluid, Jarvis slips as easily into balmy, if broken, r&b as he does sinewy folk. Traces of gospel and homespun funk permeate the record, as its disparate sounds are spliced, screwed and ultimately recombinant. In regard to atmosphere, imagine happening upon a cache of extremely mellow Shuggie Otis demos; if say, Otis had a penchant for hyper-abbreviated 4-track and ambient field recordings. No less fragmented than his 2017 debut, this latest collection again finds the artist in a kinetic state of creativity . . .
Only the good shit. Aquarium Drunkard is powered by its patrons. Keep the servers humming and help us continue doing it by pledging your support.
To continue reading, become a member or log in.