A near vocal-less affair, the 20-track double-album combines threads of both the Berlin and Düsseldorf schools, with most recordings laid down between the late ‘70s through the ‘80s. Each track contains constantly refining repetitious rhythms, often from a sequencer, with snaking, silvery synths and guitars overtop, each run through a series of effects that alternate between hijacking and complementing melodic impulses . . .
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